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Introduction by Maria Berbara, Roberto Conduru and Vera Beatriz Siqueira | DOI: 10.52913/19e20.X2.00b
Between heroism and martyrdom: considerations regarding the representation of the Latin American hero in the 19th century by Maria Berbara | DOI: 10.52913/19e20.X2.01b
Nostalgia of the Empire: the arrival of the portrait of Ferdinand VII in Manila in 1825 by Ninel Valderrama Negrón | DOI: 10.52913/19e20.X2.02b
From Monument to Body: Reinventing Sucre’s Memory in Quito (1892-1900) by Carmen Fernández-Salvador | DOI: 10.52913/19e20.X2.03b
Two panoramas of America in London: Mexico City (1826) and Rio de Janeiro (1828) by Carla Hermann | DOI: 10.52913/19e20.X2.04b
Demarcation image and the experience of landscapes as a geographical truth. Photographs by Francisco Moreno, 1897 by Catalina Valdés E. | DOI: 10.52913/19e20.X2.05b
Gazes on water. The trajectory of modernity in the images of Buenos Aires from the Rio de la Plata: 1910-1936 by Catalina V. Fara | DOI: 10.52913/19e20.X2.06b
With ruins as a guide: three suburban villas in Mexico City by Hugo Arciniega Ávila | DOI: 10.52913/19e20.X2.07b
An eulogy for pots by Deborah Dorotinsky Alperstein | DOI: 10.52913/19e20.X2.08b
Configuring Latin America: the views by Rugendas and Marianne North by Vera Beatriz Siqueira | DOI: 10.52913/19e20.X2.09b
“Parla, diavolo!”: Almeida Reis and Michelangelo's shadow by Renato Menezes Ramos | DOI: 10.52913/19e20.X2.10b
The Entrance of Women to the Art Academies in Brazil and Mexico: a Comparative Overview by Ursula Tania Estrada López | DOI: 10.52913/19e20.X2.11b
Manuel de Araújo Porto-Alegre and the institutional origins of art criticism in Brazil by Marcos Florence Martins Santos | DOI: 10.52913/19e20.X2.12b
El Gráfico and the Quest for a National Art in Colombia by María Clara Bernal | DOI: 10.52913/19e20.X2.13b
Latin America and the idea of a “global modernity”, 1895-1915 by María Isabel Baldasarre | DOI: 10.52913/19e20.X2.14b
