.

                   


 .

.

.

.

.


.

.

.

 .

 

.
.

 Introduction by Maria Berbara, Roberto Conduru and Vera Beatriz Siqueira | DOI: 10.52913/19e20.X2.00b

Between heroism and martyrdom: considerations regarding the representation of the Latin American hero in the 19th century by Maria Berbara | DOI: 10.52913/19e20.X2.01b

Nostalgia of the Empire: the arrival of the portrait of Ferdinand VII in Manila in 1825 by Ninel Valderrama Negrón | DOI: 10.52913/19e20.X2.02b

From Monument to Body: Reinventing Sucre’s Memory in Quito (1892-1900) by Carmen Fernández-Salvador | DOI: 10.52913/19e20.X2.03b

Two panoramas of America in London: Mexico City (1826) and Rio de Janeiro (1828) by Carla Hermann | DOI: 10.52913/19e20.X2.04b

Demarcation image and the experience of landscapes as a geographical truth. Photographs by Francisco Moreno, 1897 by Catalina Valdés E. | DOI: 10.52913/19e20.X2.05b

.

Gazes on water. The trajectory of modernity in the images of Buenos Aires from the Rio de la Plata: 1910-1936  by Catalina V. Fara | DOI: 10.52913/19e20.X2.06b

With ruins as a guide: three suburban villas in Mexico City by Hugo Arciniega Ávila | DOI: 10.52913/19e20.X2.07b

An eulogy for pots by Deborah Dorotinsky Alperstein | DOI: 10.52913/19e20.X2.08b

Configuring Latin America: the views by Rugendas and Marianne North by Vera Beatriz Siqueira | DOI: 10.52913/19e20.X2.09b

.

“Parla, diavolo!”: Almeida Reis and Michelangelo's shadow by Renato Menezes Ramos | DOI: 10.52913/19e20.X2.10b

The Entrance of Women to the Art Academies in Brazil and Mexico: a Comparative Overview by Ursula Tania Estrada López | DOI: 10.52913/19e20.X2.11b

Manuel de Araújo Porto-Alegre and the institutional origins of art criticism in Brazil by Marcos Florence Martins Santos | DOI: 10.52913/19e20.X2.12b

El Gráfico and the Quest for a National Art in Colombia by María Clara Bernal | DOI: 10.52913/19e20.X2.13b

Latin America and the idea of a “global modernity”, 1895-1915  by María Isabel Baldasarre | DOI: 10.52913/19e20.X2.14b

.